Volume 5Articles
Shakespearean Authority and Emotional Realism in Slings and Arrows
by Elizabeth Klett, University of Houston, Clear Lake
A Local Habitation and a Name: Essaying Early Modern Stages in a Postmodern World
by Peter Kanelos, Loyola University, Chicago
Hearing the Scene : Approaches to Live Music in Modern Shakespearean Productions
by Kendra Preston Leonard
Knowing Her Place: Buzz Goodbody and The Other Place
by Alycia Smith-Howard, British American Drama Academy; CAPA International Education - London
“Sudden Deaths”: Regicide, Theatricality, and Anti-Absolutism in Beaumont and Fletcher’s The Maid’s Tragedy
by Kristin M.S. Bezio, University of Richmond
Book & Performance Reviews
Shakespeare’s Great Stage of Fools by Robert H. Bell
by
Susan L. Anderson, Leeds Trinity University College
Adapting King Lear for the Stage by Lynne Bradley
by
James Robert Wood, Stanford University
Shakespeare and Amateur Performance: A Cultural History by Michael Dobson
by
Mary Nelson, Dallas Baptist University
Renaissance Food from Rabelais to Shakespeare: Culinary Readings and Culinary Histories, Edited by Joan Fitzpatrick
by
Amy L. Tigner, University of Texas, Arlington
Playwright, Space and Place in Early Modern Performance: Shakespeare and Company by Tim Fitzpatrick
by
Sarah Farrell, University of Texas, Arlington
Weyward Macbeth: Intersections of Race and Performance, Edited by Scott L. Newstok and Ayanna Thompson
by
Rebecca Dark Dallas Baptist University
“O, What Learning Is!”: A Review of the British Museum’s exhibit Shakespeare: Staging the World (19 July- 25 November 2012)
by
Colleen E. Kennedy The Ohio State University
Imagining the Audience in Early Modern Drama, 1558–1642, edited by Jennifer A. Low and Nova Myhill
by
Alan Cochrum University of Texas Arlington
Performing Pedagogy in Early Modern England: Gender, Instruction, and Performance, Edited by Kathryn M. Moncrief and Kathryn R. McPherson
by
Erik Hudak University of Texas, Arlington
Costuming the Shakespearean Stage: Visual Codes of Representation in Early Modern Theatre and Culture by Robert Lublin
by
Peter M. McCluskey Middle Tennessee State University
Shakespeare, Trauma and Contemporary Performance by Catherine Silverstone
by
Ema Vyroubalová Trinity College Dublin, Ireland