Volume 5
Shakespeare and Performance


Shakespearean Authority and Emotional Realism in Slings and Arrows

A Local Habitation and a Name: Essaying Early Modern Stages in a Postmodern World

Hearing the Scene : Approaches to Live Music in Modern Shakespearean Productions

Knowing Her Place: Buzz Goodbody and The Other Place

“Sudden Deaths”: Regicide, Theatricality, and Anti-Absolutism in Beaumont and Fletcher’s The Maid’s Tragedy

Book & Performance Reviews

Shakespeare’s Great Stage of Fools by Robert H. Bell

Adapting King Lear for the Stage by Lynne Bradley

Shakespeare and Amateur Performance: A Cultural History by Michael Dobson

Renaissance Food from Rabelais to Shakespeare: Culinary Readings and Culinary Histories, Edited by Joan Fitzpatrick

Playwright, Space and Place in Early Modern Performance: Shakespeare and Company by Tim Fitzpatrick

Weyward Macbeth: Intersections of Race and Performance, Edited by Scott L. Newstok and Ayanna Thompson

“O, What Learning Is!”: A Review of the British Museum’s exhibit Shakespeare: Staging the World (19 July- 25 November 2012)

Imagining the Audience in Early Modern Drama, 1558–1642, edited by Jennifer A. Low and Nova Myhill

Performing Pedagogy in Early Modern England: Gender, Instruction, and Performance, Edited by Kathryn M. Moncrief and Kathryn R. McPherson

Costuming the Shakespearean Stage: Visual Codes of Representation in Early Modern Theatre and Culture by Robert Lublin

Shakespeare, Trauma and Contemporary Performance by Catherine Silverstone